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Out Of has always believed in the importance of having a lens with a good optic definition, but also to always have the lens with the right colorfor the conditions you' re in in that moment. You can have on your eyes the lens with the best optic definition ever, but it' s too light or too dark you won' t see half as good than with a lens of the right color.
For this we tried, and managed, to develop a goggles that could give you the possibility to change the lens quickly and easily, and we' ve always been a brand that fornishes, on most of its goggles the second lens, a persimmon lens.
Having the possibility to change the lens of the goggle at any time is a big step, but there are still some limitations, for example who doesn' t carry a backpack might find uncomfortable to carry around a second lens in his pocket, and deciding what lens to carry in the morning, it' s easy to make mistakes, we all know wheather in the mountains changes quickly. The definite solution is a lens that could change its color by itself, and the darkness of it on the base of the external conditions, so to make the skiing or the snowboarding awesome in every condition.
After years of trials the point has been reached with a special combinations of photocromatic pigments that change from yello to black and all the shades in between, and a polarized filter on all the visible spectrum.
The result is a line of lenses with extraordinary properties that aren' t comparable to other common lenses: a lens that changes color and darkness automatically basing on the external conditions.
In good wheather conditions the pigments of the The One lenses are activated and they diminuish the quantity of light that hits our eyes, while the polarized filter stops selectively the reflections from the ice or the water allowing you to dinstinguish in a better way the shape of the snowy run.
In bad wheather conditions the yellow colors of the pigments that aren' t activated helps improving the visibility and the perception of the ground, but is the polarized filter that allows to eliminate a part of the light that the fog reflexes, creating in this way contrasts on the ground that a bare human eye wouldn' t be able to obtain.
The lenses from the line THE ONE by Out Of are therefore perfect in every possible wheather condition, that means no more worries: if you use a The One, you' ll always have with you the right lens.
The THE ONE FUOCO, given its red coating results less polyvalent than the NERO of the GELO, our suggestion is, if you' re looking for a pure technically perfect lens without caring too much about the esthetical aspect to choose either the NERO or the GELO. The FUOCO, even if it's way more versatile than the other goggles in commerce, for the presence of the coating doesn' t manage to reach the same performance levels of the NERO of the GELO.
Here are the first Out Of sunglasses, completely made in Italy with the best materials.
Light and strong these glasses are perfect for practicing sport and for the everyday life.
The frame is specifically designed not to slip from your face and to be worn for several hours without hurting anywhere.
Logos are in real anodized aluminium made by extrusion.
We know that when it comes to the eyes there should be no compromise, and that's why you can choose between Zeiss lenses with high quality hydrophobic RI-PEL treatments and exclusive THE ONE photochromic and polarized lenses.
THE ONE GELO POLARIZED PHOTOCHROMIC
The amazing photocromic polarized lenses THE ONE, able to automatically adapt to the light conditions always keeping a high and balanced polarization level on the whole visible spectrum.
The The One Gelo is characterized by a multilayer mirror coating that creates a light blue reflection, while the transparency goes toward a yellow. This lens is particularly adapt for the use in the mountains and on the snow, where it' s possible to find situations with a very flat lighting (without) that makes the perception of the terrain hard and uncertain and that can cause dizzyness and nausea. The yellow transparency combined with the polarizing filter improve the perception of the contrast in this particular condition, and in general on the snow.
The optic filter category varies between S2 and S3 depending on the level of activation of the pigments.Watch the video